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	<title>Kelly Jazvac </title>
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		<title>Thumbnail Index</title>
				
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		<dc:creator>Kelly Jazvac </dc:creator>

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		<title>Info</title>
				
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		<dc:creator>Kelly Jazvac </dc:creator>

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	kellyjazvac[at]gmail.cominstagram @kellyjazvac
syntheticcollective.orgfierman.nyc
galerienicolasrobert.com

Kelly Jazvac is a Canadian artist born in Hamilton, Ontario, and based in Montréal. She has a long-standing sculptural interest in waste materials such as plastic. Given that each body of her work derives from discarded objects, such as advertisements, plastic debris, diseased wood, or broken car parts, her aesthetics and imagery adapt to what is found in trash. Consistent themes include how waste can be evidence of the instrumentalization of the environment, living beings, and ecosystems under global capitalism, and how that subjugation could be reframed, redirected and reimagined.

Jazvac is also a founding member of the Synthetic Collective, a plastic-pollution research team that includes scientists, artists, art historians, philosophers, and writers. The group’s work highly influences her artistic practice, and results in co-authored scientific papers and curated, eco-responsible, exhibitions.
 

Jazvac has exhibited at The Musée D’Art Contemporain (Montréal), The Museum of Modern Art (New York), the Eli and Edyth Broad Museum (East Lansing), Ujazdowski Castle Centre for Contemporary Art (Warsaw) and FIERMAN Gallery (New York). Her work has been written about in National Geographic, e-flux Journal, Hyperallergic, Art Forum, The New Yorker, Canadian Art Magazine, and The Brooklyn Rail. Her co-authored, collaborative art/science research has been published in scientific journals, including Nature Reviews, GSA Today, and Science of the Total Environment. She is represented by Galerie Nicolas Robert and FIERMAN Gallery and is a Full Professor at Concordia University's Studio Art Department with specialties in Sculpture and sustainable material practices, social/environmental justice, art/science collaboration, and critique pedagogy.




	
	
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		<title>CV</title>
				
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		<dc:creator>Kelly Jazvac </dc:creator>

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	Selected Solo Exhibitions 



2025&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;Le désir et le matriarcat, Galerie Nicolas Robert, Montréal, QC

2024&#38;nbsp; &#38;nbsp; &#38;nbsp; Five Million Trillion Trillion, FIERMAN Gallery, New York, NY




2022 &#38;nbsp; &#38;nbsp;&#38;nbsp; Time Scale, The Museum of Contemporary Art, Toronto, ON






2022 &#38;nbsp; &#38;nbsp;&#38;nbsp; 


















The Accumulating Years,&#38;nbsp;Galerie Nicolas Robert, Montréal, QC
2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; Polyempath Polyethylene, curated by Katie Lawson,&#38;nbsp;MacLaren Gallery, Barrie, ON2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; They
forgot they were a landscape, FIERMAN Gallery, New York, NY2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Fault
Line Scenography, Carl Louie, Toronto, ON
2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Plastiglomerates,
The Eli and Edythe Broad Museum, University of Michigan, East Lansing, MI
2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Lamina
Stamina, curated by Cassandra Getty, Museum London, London, ON
2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Rock
Record, FIERMAN Gallery, New York, NY
2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Proof
of Performances, Gallery TPW, Toronto, ON
2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Sharp
and Numb, Art Gallery of Southwestern Manitoba, curated by John Hampton, Brandon,
MB
2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; BROWSING,
installation at the former David Mirvish Gallery and Books on Art, curated by
Eleanor
Johnston as an independent project affiliated with Nuit Blanche, Toronto, ON
2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; Site
Words, Spoilers and Shoplifters, Diaz Contemporary, Toronto, ON
2014 &#38;nbsp; &#38;nbsp;&#38;nbsp; Anthropophotogenic,
University of Waterloo Art Gallery, curated by Ivan Jurakic, Waterloo, ON
2014 &#38;nbsp; &#38;nbsp;&#38;nbsp; Recent
Landscapes, Louis B. James Gallery, New York
2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; PARK,
curated by Jon Davies, Oakville Galleries, 
Oakville, ON
2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; Impel
With Puffs, Diaz Contemporary, Toronto, ON
2012 &#38;nbsp; &#38;nbsp;&#38;nbsp; Thermoloaded,
Louis B. James, New York, NY
2010 &#38;nbsp; &#38;nbsp;&#38;nbsp; New
Vinyl Work, Diaz Contemporary, Toronto, ON
2009 &#38;nbsp; &#38;nbsp;&#38;nbsp; Hi
Limit Slots, Khyber ICA, Halifax, NS
2008 &#38;nbsp; &#38;nbsp;&#38;nbsp; Sticky,
YYZ Artist’s Outlet, Toronto, ON
2007 &#38;nbsp; &#38;nbsp;&#38;nbsp; Hot
Tub and Paper Towels, Diaz Contemporary, Toronto, ON
2007 &#38;nbsp; &#38;nbsp;&#38;nbsp; Upgrade,
Toronto Sculpture Garden, Toronto, ON 
2007 &#38;nbsp; &#38;nbsp;&#38;nbsp; Part of the Enterprise, The Drawing Room, University of Victoria, BC
2004 &#38;nbsp; &#38;nbsp;&#38;nbsp; D.I.Y.G.P.S.,
Zsa Zsa Gallery, Toronto, ON



 

Selected Group Exhibitions 



2025 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; The World is Garbage, Situations,
New York, NY
2025 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; 2007, curated by Sophie Latouche,
Galerie Nicolas Robert, Montreal, QC
2025 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Toxic Entanglements, Zone2Source,
Amsterdam, The Netherlands
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Working Through It, project space
curated by Lucy Pullen, New York, NY
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; The Ocean Speaks, Museo del
Disseny de Barcelona, Barcelona, Spain
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Manual Assembly, The Goldfarb
Gallery, York University, curated by Jenifer Papararo 
and Lilian O’Brien,
Toronto, ON


2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Too Good To Waste, FOFA Gallery,
curated by Nicole Burish, Montreal, QC
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; curated by Katie Lawsen, Waterloo, ON
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; A Tale of Small Moments, curated
by Anaïs Castro, Galerie Nicolas Robert, Montréal, QC
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Chapitre II, Galerie Nicolas
Robert, Montréal, QC
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Too Good To Waste, FOFA Gallery,
curated by Nicole Burish, Montréal, QC
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Environnement, Entends-Tu?, Art
Souterrain, Montréal, QC
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Erratic Behaviour, Kitchener
Waterloo Art Gallery, Kitcher, ON
2023 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Earthly, Galerie Nicolas Robert,
Toronto, ON
2022 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Plastic
Heart: Surface All the Way Through, adapted exhibition for Canadian
Consulate in Paris, France
2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;CAR SHOW, 









Erin Stump Projects, Toronto, ON






2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Le Synthétique au Coeur de l’Humain, Canadian Cultural Center, at the Canadian Embassy in Paris, France
2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; Plastic Heart: Surface All the Way Through, Art Museum at the University of

Toronto, ON



2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; Incomplete Open, two person exhibition with Mathieu Lacroix at MacBride Contemporary, Montréal,
QC
2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; Temps Longs, curated by 















Bénédicte Ramade, UQÀM, Montréal, QC 







2020 &#38;nbsp; &#38;nbsp;&#38;nbsp; La
machine qui enseignait des airs aux oiseaux, Musée d’Art Contemporain,
Montréal, curated by 
Mark 
Lanctot and François LeTourneux, QC



2020 &#38;nbsp; &#38;nbsp;&#38;nbsp; Broken
Nature, curated by Paola Antonelli, The Museum of Modern Art, New York



2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Plasticity
of the Planet, Ujazdowski Castle CCA, Warsaw, Poland



2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Broken
Nature, curated by Paola Antonelli (MOMA, NY), XXII Triennial International, Exhibition, 
Milan, Italy
2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Laughing
and Crying, curated by Friends and Neighbours Gallery at Espace Pop, Montreal,
PQ



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Museum
of Capitalism, School of the Museum of Fine Arts at Tufts, Boston, MA



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Learning
from the Lake, Art Museum, curated by Katie Lawson, University of Toronto



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Desk
Set, (four person exhibition with Marvin Gaye Cheywynd, Ayoung Kim and Madison
Bycroft), 
Curated by Céline Poulin, CAC Brétigny, France




2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Plastic
Entanglements (touring), curated by Heather Davis, The Palmer Museum, Penn State

University, State College, PA
2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Opening
exhibition at The Museum of Capitalism, Oakland, CA



2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Homestead,
Carl Louie, London, ON



2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Song
of the Open Road, Contemporary Art Gallery, Vancouver, BC 2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; An
absolute movement, Or Gallery, Vancouver, BC



2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Atmospheres
of Form, Parisian Laundry, Montreal, QC



2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Crisp
Edge, Fuzzy Border, Kristen Lorello Gallery, New York, NY



2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; A
Stratigraphic Fiction, curated by Ginny Kollak, The Berman Museum, Philadelphia



2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; October,
at Carl Louie Gallery, London, ON



2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; Vie
d’ange, at Vie D’ange Gallery, Montreal, QC



2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; All
This Time, Hugh Jackman Institute of Humanites, Art Museum at the University of
Toronto, curated 
by Jaclyn Quaresma, Toronto, ON



2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
Future We Remember, The Southeast Center for Contemporary Art, curated by Sarah
Higgins and 
Cora Fisher, Winston-Salem, North Carolina



2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; Showroom,
University of Toronto Art Centre and Barnicke Gallery, curated by Sarah
Robayo-Sheridan, 
Toronto, ON



2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; Rocks,
Stones and Dust, University of Toronto Art Centre, curated by John Hampton,

Toronto, ON



2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; Organic
Situation, Koenig and Clinton, New York, NY



2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; An
other land…and in the other, our own, Prosjekstrom Normanns, curated by Ian
Cofre, Stavanger, 
Norway &#38;nbsp; &#38;nbsp; 



2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; IN
MY FAITH THERE IS LOVING AND DRINKING AND LOOKING AT THE SUN AS MUCH AS 
YOU WOULD LIKE, Garden Avenue Projects, curated by Ella Dawn McGeough, Toronto, ON



2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; Human
Nature, (touring) Carleton University Art Gallery and the Kenderdine Art
Gallery, curated by 
Corinna Ghaznavi, Ottawa, ON and Saskatoon, SK



2014 &#38;nbsp; &#38;nbsp;&#38;nbsp; Possible
Futures: What is to be done? Curated by Srimoyee Mitra, Melissa Bennett, Lucy
Howe, Stuart
Reid and Gregory Tom, Windsor Triennial, Art Gallery of Windsor,
Windsor, ON



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; Touch
The Moon, curated by Kristen Lorello, Louis B. James, New York, NY



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; Hybrid
Painting, curated by Christiane Meyer-Stoll, as part of curated by_ vienna 2013,
Vienna



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; More
Than Two, curated by Micah Lexier, &#38;nbsp;The
Power Plant Contemporary Art Gallery, Toronto, ON



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; Surface
Tension, curated by Jacob Korzynski, Oakville Galleries, Oakville, ON



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; Voyager
and Stowaways, curated by Patrick Mahon, McMaster Museum of Art, Hamilton, ON



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; Sample,
The ArtLab, London, ON



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; No
Boys with Frogs, DNA Artspace, London, ON



2011 &#38;nbsp; &#38;nbsp;&#38;nbsp; Barroco
Nova, curated by Patrick Mahon and Susan Edelstein, Museum London, ON



2011 &#38;nbsp; &#38;nbsp;&#38;nbsp; You
can never go home anymore, Louis B. James, New York, NY



2011 &#38;nbsp; &#38;nbsp;&#38;nbsp; Body
Asylum, Soi Fischer 
Gallery (three person exhibition),
Vancouver, BC 2011 &#38;nbsp; &#38;nbsp;&#38;nbsp; Winter
Show, i8 Gallery, Reykjavik, Iceland



2010 &#38;nbsp; &#38;nbsp;&#38;nbsp; Enthusiasm,
curated by Nicholas Brown, Red Bull 381 Projects, (three person exhibition),

Toronto, ON



2010 &#38;nbsp; &#38;nbsp;&#38;nbsp; Things
You Should Know…, ArtLab, University of Western Ontario, London, ON



2009 &#38;nbsp; &#38;nbsp;&#38;nbsp; Air
Conditioned Jungle, curated by Gregory Elgstrand, Diaz Contemporary, Toronto,
ON



2009 &#38;nbsp; &#38;nbsp;&#38;nbsp; Double
Confluence, collaborative exhibition with Mitzi Pederson and Patrick Howlett,
Atelierhof 
Kreuzberg, Berlin



2009 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
Way I Are, curated by Katie Bethune-Leamen, Blackwood Gallery, University of
Toronto



2008 &#38;nbsp; &#38;nbsp;&#38;nbsp; Pleinairism,
curated by Kitty Scott, i8 Gallery, Reykjavik



2008 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
Constant Search for a Better Way, curated by Bill Jeffries, Simon Fraser
University Gallery, 
Burnaby, BC



2008 &#38;nbsp; &#38;nbsp;&#38;nbsp; Dream
Home, Plug-In ICA, Winnipeg, MB



2007 &#38;nbsp; &#38;nbsp;&#38;nbsp; Pulp,
Open Space, curated by Megan Dickie, Ross MacCauly and Rebecca Michaels,

Victoria, BC



2005 &#38;nbsp; &#38;nbsp;&#38;nbsp; Kelly
Jazvac and Lucy Pullen, Exhibition Hall, curated by Luanne Martineau,
University of&#38;nbsp; Victoria, BC2005 &#38;nbsp; &#38;nbsp;&#38;nbsp; So, you want to think freely! Production Studio Exhibitions, twcurated
by Lucy Pullen, Vancouver, BC






2005 &#38;nbsp; &#38;nbsp;&#38;nbsp; Voitures à Controverse: Débrayé, The Darling Foundry, Montréal, QC



2005 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
McCleave Gallery Cross Canada Tour, the Ministry of Casual Living, Victoria, ODD Gallery, 
Dawson City, YK
2004 &#38;nbsp; &#38;nbsp;&#38;nbsp; MOBLOG,
web-based exhibition curated by Dr. Susan Douglas, Guelph, ON



 

Catalogues



Natura
Contronatura. Estetica Ecoqueer, Dario Alì, Vincenzo Grasso, Meltemi, 2025 



Art/Work – Plastics,
Fowler and
Weinryb, Princeton University Press, 2025

Plástico, La Revista UNAM, #925, Junio 2025



Art and Climate Change, World of Art, Thames and Hudson Press, 2022



Adrián Villar Rojos: The
end of Imagination, Art Gallery NSW, 2022



Plastic Matter, Heather Davis (chapter), Duke University Press, 2022







La machine qui enseignait des airs aux
oiseaux, published by the Musée d’Art Contemporain, Montréal, 2020



 
Broken Nature, Milan Triennial Catalogue, published
by Rizzoli, New York, 2019



 
Kelly Jazvac: Lamina Stamina, published by Museum
London, London, Ontario, 2018



 
Kelly Jazvac: Plastiglomerate, published by
Durable Good, Toronto, Ontario, 2017



 
Why Painting Now? curated by_ vienna 2013,
Vienna, AT, 2013



 
Barroco Nova: Neo-Baroque Moves in Contemporary
Art, ARTLAB Gallery, University of Western Ontario




Kelly Jazvac: Flop, Space Studios, London,
UK, 200



 

Articles, Exhibition Reviews and Interviews









































Manel
Bechabane, “Le désir et le matriarcat: Galerie Nicolas Robert,: Esse Review,&#38;nbsp;May 2025.



Chris Hampton,
“These
sculptures won't solve plastic pollution, but the material they're made of
could definitely help,” CBC Arts online, July 26, 2024. Available at&#38;nbsp;https://www.cbc.ca/arts/



Chris
Hampton, “What do the rocks know about us anyways,” CBC Arts, March 14, 2023.
Available at&#38;nbsp;https://www.cbc.ca/arts/



Jérôme
Gill-Couture, “Sculpter la décolonisation à Concordia,” CBC Radio-Canada,
November 24, 2023



Stéphane
Baillargeon, “Le CDPQ expose une partie de sa collection d’art,” Le Devoir, September
11, 2023.



Stéphane
Baillargeon, “Le REM et les apprentis du 1%,” Le Devoir, May 24, 2023.







Maïlys Celeux-Lanval, “How artists use plastic to talk
about ecology,” Beaux Arts, December 2, 2022. 
Noémie Fortin, Synthetic Collective, in Esse,Winter 2022. 
Louis Bury, Gray and Green: Maya Lin
at Madison Square Park, in ArtNews, June 17, 2021
Jérôme Delgado, “Se frotter à l’art, en vrai,”&#38;nbsp; Le Devoir, le 13 février, 2021

Jérôme Delgado, “Arts visuels: chanterons-nous avec les machines?” Le Devoir, 23 janvier, 2021

Kathleen Langjahr, “Form outshines function
at the MoMA’s Broken Nature,” The Architect’s Newspaper, January 19, 2021



 
Leah Collins, “What does it take to make
art green?” in CBC Arts, January 21, 2020. 




Beth Stuart, “Lo Strappo,” in Canadian Art
Magazine, October 19, 2019. 



 
Paola Antonelli, Paola Antonelli on
‘Plastiglomerates’, Pollution and Geology,” Metropolis Magazine, March 10,
2019. Available at
https://www.metropolismag.com/



 
Augusta Pownall, “We don’t have the power
to stop our extinction” says Paola Antonelli, dezeen, February 2019



 
Michele Calzavara, “Let’s do the right
thing,” Arbitare, February 2019.



 
Alice Rawsthorn, “Broken Nature curated by
Paola Antonelli wins Wallpaper Design Award,” Wallpaper, January 2019 



 
Amanda Boetzkes, Plastic Capitalism:
Contemporary Art and the Drive to Waste, MIT Press, 2019. 



 
“Une nouvelle ère géologique,” Le Devoir, &#38;nbsp;le 6 avril, 2019.



 
Chris Hampton, “The Green Cube,” Canadian
Art Magazine, Fall 2018. 


Kim Neudorf, “Kelly Jazvac at Museum
London,” at Akimbo.ca, August 28, 2018. Available at&#38;nbsp;https://akimbo.ca/
 
June Parker, “Planet or Plastic?” in National
Geographic, June 2018. 



 
Chris Hampton, “Sculptor Kelly Jazvac let’s
no scrap of plastic go to waste“ in The Globe and Mail, June 7, 2018.
Available at https://www.theglobeandmail.com/arts/



 
Weiyi Chang, “Interview with Kelly Jazvac.”
C Magazine, Spring 2017. 



 
Meredith Miller, “Views from the
Plastisphere: a preface to Post-Rock.” Avery Review. 13, 2016. Available at https://www.averyreview.com/issues/13/
 
Robert Enright, “Border Views: Kelly
Jazvac.” Border Crossings. June 2016. Volume 35, No. 2, Issue No. 138. 



 
Heather
Davis, “Plastic: Accumulation without Metabolism” in catalogue for Placing the
Golden Spike Milwaukee: INOVA, 2015, pp. 66-73.



 
Ben Valentine, “Plastiglomerate, the
Anthropocene’s new Stone: Interview with Kelly Jazvac.” November 25, 2015.
Available at&#38;nbsp;https://hyperallergic.com/


 
Heather Davis, “Plastic Progeny: The
Plastisphere and other Queer Futures.” PhiloSOPHIA: A Journal of Continental
Feminism. 5.2 (summer 2015): 231-250.



 
Gillian Dykeman, “Working it Out: Kelly
Jazvac,” &#38;nbsp;ARTSLANT New York, podcast
episode 5, August, 2015. 



 
Rachel Mason, “Plastiglomerate: The Rock of
the Future Made into Sculpture.”&#38;nbsp;The Huffington Post. August 29, 2014.&#38;nbsp; Available at
http://www.huffingtonpost.com/rachel-mason/



 
Joseph Castro, “Plastic Legacy: Humankind’s
Trash Is Now a New Rock,” Live Science. June 2014 Available at
http://www.livescience.com/



 
David Bielo, “I just want to say one word
to you: Plastiglomerate,” American Scientific. June 2014.&#38;nbsp; Available at
http://www.scientificamerican.com/podcast/



 
Blane Brownell, “Rocks on a polluted beach
reveal human impact,” Architect Magazine. June 2014. Available at
http://www.architectmagazine.com/alternative-materials/



 
Caoimhe Morgan-Feir, “Exhibition Reviews:
Kelly Jazvac,” Magenta Magazine. Spring 2014, Vol 5, No. 1. Available at
http://www.magentafoundation.org/magazine/



 
Ben Portis, “Surface Tension,” C Magazine, Spring
2014, Issue 121, p. 61-62.



 
“Touch the Moon,” The New Yorker, January
13, 2014, p. 10.



 
Stephanie Cormier, “Kelly Jazvac and Kelly
Wood at Diaz Contemporary,” Border Crossings, June- August 2013, Vol. 32, Issue
2, p. 140.



 
R.H. Lossin, “Kelly Jazvac: Thermoloaded.” The
Brooklyn Rail.&#38;nbsp; June, 2012.&#38;nbsp; Available at http://www.brooklynrail.org/2012/06/artseen/



 
Robert Enright, “Barroco, We Hardly Knew
You,” Border Crossings, Issue #120, Winter



2012: p. 18.



 
R.H. Lossin, “The Conundrum of
Pre-Apocalyptic Art,” A Gathering of the Tribes (online) November 2011.
Available at
http://www.tribes.org/web/2011/11/07/



 
Vanessa Nicholas, “Vinyl Virtuoso,” Canadian
Art Online, May 15 2010.



 
Gary Michael Dault, “Kelly Jazvac at Diaz
Contemporary,” The Globe and Mail.&#38;nbsp; April
24, 2010. 



 
Rodney Latourelle, “Akimblog Berlin,”
www.akimbo.ca, July 28 2009.



 
Alex Snukal, “The Way I Are.” C Magazine.
June 2009. 



 
Katie Bethune-Leamen. “The Constant Search
for a Better Way.” Border Crossings, December 2008. Issue 108.



 
Josie Walker, “Interview with Kelly Jazvac,”
November 2008.&#38;nbsp;https://spacestudios.org.uk/



 
Daniel Adler, “Critic’s Picks: Kelly Jazvac at
YYZ Artists Outlet.” 

September 15, 2008.&#38;nbsp;https://www.artforum.com/events/ 



 
Amy Verner, “‘New and improved’ is so last
year: the hottest word on everyone’s tongue? Upgrade.”&#38;nbsp; The Globe and Mail.&#38;nbsp; March 29, 2008. 





Essays (on the Artist’s Work)



Noémi Fortin, “Rockhounding, Seafaring, and
Other Material Tales for the End of the World,” The Goose, Volume 18, No. 1,
Winter 2020.
 
Isa Tousignant, “The overflowingly
meaningful art of Kelly Jazvac,” exhibition essay for Lamina Stamina, 2018.
 
Jonathan Griffin, “Transcendant Trash Wads:
An Ongoing History of Recalcitrant Lumps,” 2017.
 
Alison Cooley, “Sharp and Numb,” exhibition
essay Art Gallery of Southwestern Manitoba, 2017.
 
Kirsty Robertson, “Plastiglomerate,” essay
in e-flux journal, no. 78, December, 2016. 



 
Ginny Kollak, “A Stratigraphic Fiction,”
exhibition essay, 2016. 



 
Cora Fisher, “The Future We Remember,”
exhibition essay, 2016.



 
Ella Dawn McGeough, “IN MY FAITH…” Garden
Avenue Project exhibition essay, Summer 2015.



 
Ian Cofre, “An other land.. and also in our
own,” Projekstrom Normanns exhibition essay, June 2015. 



 
Jon Davies, “Kelly Jazvac: No Promises, No
Demands,” Oakville Galleries exhibition essay. November 2013.



 
Jacob Korczynski, “Surface Tension,”
Oakville Galleries exhibition essay. September 2013.



 
Nicholas Brown, “Enthusiasm,” Red Bull 381
projects exhibition essay. October 2010.



 
Jonathan Griffin, “Kelly Jazvac,” Space
Studios catalogue essay. February 27, 2009. 



 
Katie Bethune-Leamen, “The Way I Are.”
Blackwood exhibition essay.&#38;nbsp; January 21
2009.



 
Katie Bethune Leamen, “Sticky. Droopy
Slumpy Peely or “Inchoaaaaaaaaaaaate!”(as if yelled into a canyon).” YYZ
exhibition essay. September 5 2008, Available at http://www.yyzartistsoutlet.
org/exhibitions.asp?ID=238



 
Jeanne Randolph, “Read Car.” Toronto
Sculpture Garden Exhibition Essay. October 3 2007.



 
Lucy Pullen, “So you want to think
freely!”&#38;nbsp; Production Studio Exhibition
Essay. April 8 2005.



 

Articles Published






















The Synthetic Collective (Ian A. Arturo, Sara L.
Belontz, Tegan Moore, Kirsty Robertson, Kelly Wood, Kelly Jazvac, Heather
Davis, Kelly Wood, Christina Battle), G

uest writer for Gallery Climate Coalition,&#38;nbsp;A DIY Fieldguide to Reducing the
environmental Impact of Art Exhibitions,&#38;nbsp;2021. 

Available at https://galleryclimatecoalition.org/



Corcoran, P.L, Johanna de Haan Ward, Ian A.
Arturo, Sara L. Belontz, Tegan Moore, Carylyn M. Hill-Svehla, Kirsty Robertson,
Kelly Wood, Kelly Jazvac. “A comprehensive investigation of industrial plastic
pellets on beaches across the Laurentian Great Lakes and the factors governing
their distribution,” Science of the Total Environment, Vol. 747, 10 December
2020, 141227. 



 
Corcoran, P.L., Jazvac, K. “The consequence
that is plastiglomerate.” Nature, 1, 6–7 (2020).
https://doi.org/10.1038/s43017-019-0010-9



 
Sara L. Belontz, Patricia L. Corcoran,
Heather Davis, Kathleen A. Hill, Kelly Jazvac, Kirsty Robertson, Kelly Wood,
“Embracing an Interdisciplinary Approach to Plastics Pollution Awareness and
Action" in Ambio, 2019.



 
Kelly Jazvac, “Noni Knows,” ALMANAC, edited
by Maggie Groat, published by the Kitchener-Waterloo Art Gallery, Spring 2017.



 
Kelly Jazvac, “Thin, not flat: new prints
by Sasha Pierce,” Open Studio exhibition essay, June 2015. 



 
Patricia Corcoran, Charles Moore and Kelly
Jazvac, “An anthropogenic marker horizon in the future rock record.” GSA Today.
Vol. 24 No. 6, June 2014.



 
Kelly Jazvac, “Conglomerate Moment:
Interview with Amy Brener.”&#38;nbsp; Moire online
magazine.



 
Kelly Jazvac, “On Parts You Can’t See: a
Conversation between Polly Apfelbaum and Kelly Jazvac.” Kitchener: Old Mill
Books, 2013. Published by Robert Linsley.
 
Kelly Jazvac, “Sasha Pierce: Tessalations.”
Canadian Art Online, December 17th, 2013.



 
Kelly Jazvac, “The Self-Aware Stage-craft
of Robert Hengeveld’s Living Sculptures.” Exhibition essay for Eastern Edge.
Fall, 2013



 
Kelly Jazvac, “Older, Sadder and This Time
All in White: exhibition review.” Border Crossings, Winter 2011.



 

Artist Lectures























2025 &#38;nbsp; &#38;nbsp; &#38;nbsp; 

Artist Presentation, 

in.site2: sustainability and
interdisciplinarity, Concordia University, Montreal, QC
2025 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Invited speaker, UQAM, Montreal, QC
2025 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Invited speaker, Fleeting Form Studio,
McGill University, Montreal, QC
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Invited seminar speaker, Parson’s the New
School, NY, NY
2024 &#38;nbsp; &#38;nbsp; &#38;nbsp; Invited seminar speaker, New York
University, NY, NY
2024 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Invited speaker for symposium, Languages
of Climate Crisis, at the National Museum of Iceland, Reykjavík, Iceland
2024 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; Panelist for Evergreen Brickwork’s Public Art and Sustainability Symposium, Toronto, ON
2024 &#38;nbsp; &#38;nbsp; &#38;nbsp; Artist Presentation, Instituto de
Biotecnología, Universidad Nacional Autónoma de 
México, Cuernavacas, MX
2023&#38;nbsp; &#38;nbsp; &#38;nbsp; Panelist
for Atelier Bon Train’s symposium, Créer un Atelier Inclusif, Montréal, QC
2023 &#38;nbsp; &#38;nbsp;&#38;nbsp; Panelist, “Exposer sans limites,” The
Canadian Cultural Centre, at the Canadian Embassy in Paris

2023 &#38;nbsp; &#38;nbsp;&#38;nbsp; 
















Panelist,
“Art et écoconception : une esthétique du suffisant pour les expositions
de demain&#38;nbsp;?” The Canadian Cultural Centre, at the Canadian Embassy in
Paris




2022 &#38;nbsp; &#38;nbsp;&#38;nbsp; 

















Artist Presentation, in.site,
Sustainability Conference, Concordia University


















2022 &#38;nbsp; &#38;nbsp;&#38;nbsp; 















Artist Lecture, Memorial University, Cornerbrook, NF




2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist Lecture, Parsons’ The New School, NY
2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist Lecture, University of Victoria, BC
2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist
Lecture, Chulalongkorn University, Bangkok, 
Thailand



2021 &#38;nbsp; &#38;nbsp;&#38;nbsp; FIERMAN
Gallery, New York



2020 &#38;nbsp;&#38;nbsp; Artist
Lecture, Memorial University, NL



2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist
Lecture, McEwen University, Edmonton, AB 



2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist
Lecture, Ujazdowski Castle CCA, Warsaw, Poland



2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist
Lecture, Mount Allison University, Sackville, NB



2019 &#38;nbsp; &#38;nbsp;&#38;nbsp; Invited
speaker for Broken Nature exhibition symposium, Milan, Italy



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Canadian
Art Magazine panel on Climates, Toronto Art Fair, Toronto, ON



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
Work of Wind Land Air Water, at Blackwood Gallery, University of Toronto, Mississauga,
ON



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; SGC
International Conference: Altered Landscapes. Las Vegas, Nevada



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist
Lecture, McGill University, Institute for Gender, Sexuality and Feminist
Studies, Montréal, PC



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Art
Metropole, Toronto, ON



2018 &#38;nbsp; &#38;nbsp;&#38;nbsp; Plastics
Pollution and Interdisciplinary Working Methods, Penn State University (with the
Synthetic 
Collective)



2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Artist
Lecture, e-flux, New York



2017 &#38;nbsp; &#38;nbsp;&#38;nbsp; Mountains
and Rivers without End, Symposium at Western University, London, ON



2016 &#38;nbsp; &#38;nbsp;&#38;nbsp; Running
with Concepts, University of Toronto Blackwood Gallery, Missisauga, ON



2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
Smithsonian American Museum of Natural History, Washington, D.C.



2015 &#38;nbsp; &#38;nbsp;&#38;nbsp; Projekstrom
Normanns, Stavanger, Norway



2014 &#38;nbsp; &#38;nbsp;&#38;nbsp; Western
University, Insight: Visual Arts Graduate Student Symposium, London, ON



2013 &#38;nbsp; &#38;nbsp;&#38;nbsp; Concordia
University, Montreal QC



2011 &#38;nbsp; &#38;nbsp;&#38;nbsp; Museum
London, London, ON



2011 &#38;nbsp; &#38;nbsp;&#38;nbsp; Red
Bull Projects, Toronto, ON



2010 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
Power Plant, Sunday Scene, Toronto, ON



2009 &#38;nbsp; &#38;nbsp;&#38;nbsp; NSCAD
University, Halifax, NS



2008 &#38;nbsp; &#38;nbsp;&#38;nbsp; Space
Studios, London, U.K.



2008 &#38;nbsp; &#38;nbsp;&#38;nbsp; Interaccess
Gallery, Toronto, ON



2008 &#38;nbsp; &#38;nbsp;&#38;nbsp; Mercer
Union, Toronto, ON




2007 &#38;nbsp; &#38;nbsp;&#38;nbsp; Open
Space, Victoria, BC2006 &#38;nbsp; &#38;nbsp;&#38;nbsp; Laboratorio
Artealmeda, Mexico City, MX







2006 &#38;nbsp; &#38;nbsp;&#38;nbsp; Vancouver
Island School of Art, Victoria, BC&#38;nbsp;
2006 &#38;nbsp; &#38;nbsp;&#38;nbsp; Camosun
College, Victoria, BC



2005 &#38;nbsp; &#38;nbsp;&#38;nbsp; The
Ministry of Casual Living, Victoria BC



 


	
	
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		<title>work menu (mobile)</title>
				
		<link>https://kellyjazvac.com/work-menu-mobile</link>

		<pubDate>Tue, 04 Nov 2025 20:45:51 +0000</pubDate>

		<dc:creator>Kelly Jazvac </dc:creator>

		<guid isPermaLink="true">https://kellyjazvac.com/work-menu-mobile</guid>

		<description>

	Le désir et le matriarcat
5 Million Trillion Trillion
The Accumulating Years
Polyempath Polyethylene
Time Scale



Semon’s Seaman
They forgot they were a landscape
La machine qui enseignait des airs aux oiseaux
Desk Set 
Proofs of PerformancesRock Record
Browsing
Site Words, Spoilers and ShopliftersPluck
Looking at yourself looking
Screen Grease
Anthropophotogenic
Recent Landscapes
Plastiglomerates
Surface Tension
Impel with Puffs
Park



Mantle
Mishit
Nest
New Vinyl Work
Enthusiasm
Throws



Bimbo
Untitled (big collage)
Deflationary Club
Sticky
Slump Block
Untitled (red wall)
Untitled (silver wall)
Upgrade
Hot Tub
Screen Saver
Paper Towel Series
Part of the Enterprise


	
</description>
		
	</item>
		
		
	<item>
		<title>Le désir et le matriarcat</title>
				
		<link>https://kellyjazvac.com/Le-desir-et-le-matriarcat-1</link>

		<pubDate>Tue, 23 Sep 2025 19:33:56 +0000</pubDate>

		<dc:creator>Kelly Jazvac </dc:creator>

		<guid isPermaLink="true">https://kellyjazvac.com/Le-desir-et-le-matriarcat-1</guid>

		<description>
	
	
	



	



	

Le désir et le matriarcat
Exhibition at Galerie Nicolas Robert, Montréal, 2025https://www.gallerynicolasrobert.com/

Photo credits: Jean-Michael Seminaro



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	<item>
		<title>5 Million Trillion Trillion</title>
				
		<link>https://kellyjazvac.com/5-Million-Trillion-Trillion</link>

		<pubDate>Mon, 12 Aug 2024 13:41:52 +0000</pubDate>

		<dc:creator>Kelly Jazvac </dc:creator>

		<guid isPermaLink="true">https://kellyjazvac.com/5-Million-Trillion-Trillion</guid>

		<description>


	






	

5 Million Trillion Trillion

Exhibition at FIERMAN Gallery, NYC, 2024https://fierman.nyc/

Photo credits: Chris Herity
Earth, recuperated vinyl billboards, and PHB bioplastic provided by Dr. Carlos Filipe Peña Malacara, Claudia Aguirre and Rosa Elia Quiroz at the Instituto de Biotecnología at UNAM, Mexico

&#38;nbsp;


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	<item>
		<title>The Accumulating Years</title>
				
		<link>https://kellyjazvac.com/The-Accumulating-Years</link>

		<pubDate>Tue, 14 Feb 2023 03:25:37 +0000</pubDate>

		<dc:creator>Kelly Jazvac </dc:creator>

		<guid isPermaLink="true">https://kellyjazvac.com/The-Accumulating-Years</guid>

		<description>



	

	The Accumulating YearsExhibition at Nicolas Robert, Montréal, 2022 Installation views and photos of individual arworks, including: Plate Shifting, Supplementary Fullness (Lumberjack Purse), Suck/Blow, Reverse Cluster Tuck, On Looker, On Looker (Kylie), and Meilleur Avant.https://www.galerienicolasrobert.com/
Photo credits: Jean-Michael Seminaro

&#38;nbsp;
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&#60;img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/062b637afa7e51f20de3871679160f9b3f28cbaf8d540c6a5718827414657535/NicolasRobertSeptembre2022HiRes-27-of-27.jpg" data-mid="171915192" border="0"  src="https://freight.cargo.site/w/1000/i/062b637afa7e51f20de3871679160f9b3f28cbaf8d540c6a5718827414657535/NicolasRobertSeptembre2022HiRes-27-of-27.jpg" /&#62;
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&#60;img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/aa1925b81760f13ba587c8e2a64d71e941b053eea6f564d500bc264e9724e35a/NicolasRobertSeptembre2022HiRes-18-of-27.jpg" data-mid="171915177" border="0"  src="https://freight.cargo.site/w/1000/i/aa1925b81760f13ba587c8e2a64d71e941b053eea6f564d500bc264e9724e35a/NicolasRobertSeptembre2022HiRes-18-of-27.jpg" /&#62;


	

	


	
</description>
		
	</item>
		
		
	<item>
		<title>Polyempath Polyethylene</title>
				
		<link>https://kellyjazvac.com/Polyempath-Polyethylene</link>

		<pubDate>Fri, 26 Feb 2021 01:18:10 +0000</pubDate>

		<dc:creator>Kelly Jazvac </dc:creator>

		<guid isPermaLink="true">https://kellyjazvac.com/Polyempath-Polyethylene</guid>

		<description>



	

	Polyempath Polyethylene

Exhibition at MacLaren Art Centre, 2021
Installation views followed by photos of individual arworks, including: Knife Pleats; Controlled Flouncing; Supplementary Fullness; Reverse Cluster Tucks; Bottom Sediment; Sorbed; and Modeling the Fate.
For more details, including materials, visit:
https://maclarenart.com/Photo credits: LF documentation 

(installation shots); Lux Studios (detail shots)


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&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6fccaa0b6ac32f9623306ef86241f29e179221934bd9ea9d426c88a84acbbb7d/IMG_4979.jpg" data-mid="118881201" border="0"  src="https://freight.cargo.site/w/1000/i/6fccaa0b6ac32f9623306ef86241f29e179221934bd9ea9d426c88a84acbbb7d/IMG_4979.jpg" /&#62;

&#60;img width="2400" height="1622" width_o="2400" height_o="1622" data-src="https://freight.cargo.site/t/original/i/c6fa3625188e2484a3e6c41ebc64959a48c8ac7457b11a2ad5ac60fa238b7e59/IMG_4922.jpg" data-mid="118881194" border="0"  src="https://freight.cargo.site/w/1000/i/c6fa3625188e2484a3e6c41ebc64959a48c8ac7457b11a2ad5ac60fa238b7e59/IMG_4922.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c1a2f68d0f22e3d27c542fdf6e8313c4577c9f8ed7e457fc75625f458ab6c318/IMG_4955.jpg" data-mid="118881198" border="0"  src="https://freight.cargo.site/w/1000/i/c1a2f68d0f22e3d27c542fdf6e8313c4577c9f8ed7e457fc75625f458ab6c318/IMG_4955.jpg" /&#62;
&#60;img width="2400" height="1714" width_o="2400" height_o="1714" data-src="https://freight.cargo.site/t/original/i/4615b2d3d240baaf658d691f38c2ea18d4cdc479140deefebaaf81249f65bfdf/IMG_5020.jpg" data-mid="118881203" border="0"  src="https://freight.cargo.site/w/1000/i/4615b2d3d240baaf658d691f38c2ea18d4cdc479140deefebaaf81249f65bfdf/IMG_5020.jpg" /&#62;


&#60;img width="2400" height="1920" width_o="2400" height_o="1920" data-src="https://freight.cargo.site/t/original/i/eaf08150935188da9a5c340359498e465fde9875eb9ef0a26600bf864a2a87d5/IMG_4975.jpg" data-mid="118881199" border="0"  src="https://freight.cargo.site/w/1000/i/eaf08150935188da9a5c340359498e465fde9875eb9ef0a26600bf864a2a87d5/IMG_4975.jpg" /&#62;

&#60;img width="1714" height="2400" width_o="1714" height_o="2400" data-src="https://freight.cargo.site/t/original/i/b182e5787b08a564a301ce2acba7ee2538196ab6eacd4c1e5b4159a7cedbee3a/IMG_5130.jpg" data-mid="118881211" border="0"  src="https://freight.cargo.site/w/1000/i/b182e5787b08a564a301ce2acba7ee2538196ab6eacd4c1e5b4159a7cedbee3a/IMG_5130.jpg" /&#62;

&#60;img width="1855" height="2400" width_o="1855" height_o="2400" data-src="https://freight.cargo.site/t/original/i/4fa5dae78f4ce509b5a325b67e35eaf7d75d0fa4e6d93af72ca36a2d5293ccc6/IMG_5128.jpg" data-mid="118881210" border="0"  src="https://freight.cargo.site/w/1000/i/4fa5dae78f4ce509b5a325b67e35eaf7d75d0fa4e6d93af72ca36a2d5293ccc6/IMG_5128.jpg" /&#62;
&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/4646f47c9dd384ee9847fca51006055353f225aed8b6c9d312f9899adc34a216/IMG_5133.jpg" data-mid="118881212" border="0"  src="https://freight.cargo.site/w/1000/i/4646f47c9dd384ee9847fca51006055353f225aed8b6c9d312f9899adc34a216/IMG_5133.jpg" /&#62;

&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/a78900b787bcd02e5dbe9d33099109e135fd109f0104d068fe8bb6ff00b6382c/IMG_5117.jpg" data-mid="118881207" border="0"  src="https://freight.cargo.site/w/1000/i/a78900b787bcd02e5dbe9d33099109e135fd109f0104d068fe8bb6ff00b6382c/IMG_5117.jpg" /&#62;

&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/7b8eb82254dc46386d8abddf521d5a4c6ddee5e0b803059d43b7f4aa68012c21/IMG_5120.jpg" data-mid="118881208" border="0"  src="https://freight.cargo.site/w/1000/i/7b8eb82254dc46386d8abddf521d5a4c6ddee5e0b803059d43b7f4aa68012c21/IMG_5120.jpg" /&#62;

&#60;img width="1714" height="2400" width_o="1714" height_o="2400" data-src="https://freight.cargo.site/t/original/i/75f0428cbfa6d18a071d8d0a052e861dd7196c1f36d332a85bbf6fd6e300169f/IMG_5121.jpg" data-mid="118881209" border="0"  src="https://freight.cargo.site/w/1000/i/75f0428cbfa6d18a071d8d0a052e861dd7196c1f36d332a85bbf6fd6e300169f/IMG_5121.jpg" /&#62;


&#60;img width="1714" height="2400" width_o="1714" height_o="2400" data-src="https://freight.cargo.site/t/original/i/3878f8e7ce03fbc05ff8eaed08da0d2b1104cafcef0cff777850ce58127aec4f/IMG_4926.jpg" data-mid="118881195" border="0"  src="https://freight.cargo.site/w/1000/i/3878f8e7ce03fbc05ff8eaed08da0d2b1104cafcef0cff777850ce58127aec4f/IMG_4926.jpg" /&#62;

&#60;img width="1920" height="2400" width_o="1920" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1a7f0b888f09eac0b94a4415200d758e845a4e58ed7dfc7b2cd34bb7ef53e0f6/IMG_5086.jpg" data-mid="118881206" border="0"  src="https://freight.cargo.site/w/1000/i/1a7f0b888f09eac0b94a4415200d758e845a4e58ed7dfc7b2cd34bb7ef53e0f6/IMG_5086.jpg" /&#62;

&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1c3ef33290ee0c552d55fbebf7d18b003b76ce7b4e6ea1602cfafe206235b22a/2021-05-06-Jazvac-005.jpg" data-mid="118881428" border="0"  src="https://freight.cargo.site/w/1000/i/1c3ef33290ee0c552d55fbebf7d18b003b76ce7b4e6ea1602cfafe206235b22a/2021-05-06-Jazvac-005.jpg" /&#62;

&#60;img width="1854" height="2400" width_o="1854" height_o="2400" data-src="https://freight.cargo.site/t/original/i/3e2eef139dca137f7a8dcf1ace80f5714e411854bfb5a424cf333be972752d7d/IMG_5056.jpg" data-mid="118881205" border="0"  src="https://freight.cargo.site/w/1000/i/3e2eef139dca137f7a8dcf1ace80f5714e411854bfb5a424cf333be972752d7d/IMG_5056.jpg" /&#62;

&#60;img width="2400" height="1715" width_o="2400" height_o="1715" data-src="https://freight.cargo.site/t/original/i/f0bfc065cac19a2d1531e3e92f58bc2e41e5991549cd113e1b277137c11414ba/IMG_5047.jpg" data-mid="118881204" border="0"  src="https://freight.cargo.site/w/1000/i/f0bfc065cac19a2d1531e3e92f58bc2e41e5991549cd113e1b277137c11414ba/IMG_5047.jpg" /&#62;

&#60;img width="1714" height="2400" width_o="1714" height_o="2400" data-src="https://freight.cargo.site/t/original/i/a986c4ba48424ccaf8f59c9d2b42a6d6fe3ab13676b130ca5e314541f49c0dfb/IMG_4970.jpg" data-mid="118881943" border="0"  src="https://freight.cargo.site/w/1000/i/a986c4ba48424ccaf8f59c9d2b42a6d6fe3ab13676b130ca5e314541f49c0dfb/IMG_4970.jpg" /&#62;


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/97ab335c0c686a640a62ac469d38989e0e265205860641cae4d4415adbcc70a2/2021-05-06-Jazvac-014.jpg" data-mid="118881429" border="0"  src="https://freight.cargo.site/w/1000/i/97ab335c0c686a640a62ac469d38989e0e265205860641cae4d4415adbcc70a2/2021-05-06-Jazvac-014.jpg" /&#62;

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/9e59a2dbbe89dfb900ddd9b13bf23b1df808c8ede85c3343fb9e39d077f0f660/2021-05-06-Jazvac-015.jpg" data-mid="118881436" border="0"  src="https://freight.cargo.site/w/1000/i/9e59a2dbbe89dfb900ddd9b13bf23b1df808c8ede85c3343fb9e39d077f0f660/2021-05-06-Jazvac-015.jpg" /&#62;

	
</description>
		
	</item>
		
		
	<item>
		<title>Time Scale</title>
				
		<link>https://kellyjazvac.com/Time-Scale</link>

		<pubDate>Sun, 05 Feb 2023 22:57:49 +0000</pubDate>

		<dc:creator>Kelly Jazvac </dc:creator>

		<guid isPermaLink="true">https://kellyjazvac.com/Time-Scale</guid>

		<description>



	
	Time Scale

Exhibition at MOCA Toronto, 2022 
Salvaged PVC billboards, salvaged granite, thread.
https://moca.ca/
Photo credits: Tom Arban (first two images) and Laura Findley&#38;nbsp;


&#60;img width="4096" height="3277" width_o="4096" height_o="3277" data-src="https://freight.cargo.site/t/original/i/2b6e8f3fb4115940d50f79175d5cc59445b0d31a720913571d1a47ebbc3f254d/Loki-Shoulder-web-2022.jpg" data-mid="167377191" border="0"  src="https://freight.cargo.site/w/1000/i/2b6e8f3fb4115940d50f79175d5cc59445b0d31a720913571d1a47ebbc3f254d/Loki-Shoulder-web-2022.jpg" /&#62;



&#60;img width="4096" height="3749" width_o="4096" height_o="3749" data-src="https://freight.cargo.site/t/original/i/f1ba79e890e51553931393647803900a1a2fd31245623a5ee738d59e99aba27c/You-Is-Ready-web-2022.jpg" data-mid="167377189" border="0"  src="https://freight.cargo.site/w/1000/i/f1ba79e890e51553931393647803900a1a2fd31245623a5ee738d59e99aba27c/You-Is-Ready-web-2022.jpg" /&#62;

&#60;img width="2926" height="4096" width_o="2926" height_o="4096" data-src="https://freight.cargo.site/t/original/i/ffe0430d747f8f5875570848c38c11775ab94b5f39272623998811b9b8739549/LFD_09-27-22_MOCA_Time-Scale_010.jpg" data-mid="167377137" border="0"  src="https://freight.cargo.site/w/1000/i/ffe0430d747f8f5875570848c38c11775ab94b5f39272623998811b9b8739549/LFD_09-27-22_MOCA_Time-Scale_010.jpg" /&#62;

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	<item>
		<title>Semon's Seaman</title>
				
		<link>https://kellyjazvac.com/Semon-s-Seaman</link>

		<pubDate>Thu, 02 Dec 2021 20:42:27 +0000</pubDate>

		<dc:creator>Kelly Jazvac </dc:creator>

		<guid isPermaLink="true">https://kellyjazvac.com/Semon-s-Seaman</guid>

		<description>



	
	Semon’s Seaman

Salvaged vinyl billboard, soil, thread, aluminum, 2022
Installation view of the refitted work for the Canadian Cultural Center in Paris, as part of the traveling exhibition Le Synthétique au Coeur de l’Humain &#124; Plastic Heart: Surface all the way through, organized by the Synthetic Collective.&#38;nbsp; Pictured in background is artwork by J. Blackwell, Aude Pariset,&#38;nbsp;Hannah Claus,&#38;nbsp;Skye Morét,&#38;nbsp;Tegan Moore,&#38;nbsp;Nyaba Leon Ouedraogo,&#38;nbsp;the Synthetic Collective and Amy Brener.https://canada-culture.org/
Photo credits: Vincent Royer
&#38;nbsp;&#60;img width="3264" height="4352" width_o="3264" height_o="4352" data-src="https://freight.cargo.site/t/original/i/c7b2985b0a5f6b22e944c64a71943ea658e1548baebd8dd5b1c48e8fb355f41a/Semon-s-Seaman--front--2022.jpg" data-mid="167442483" border="0"  src="https://freight.cargo.site/w/1000/i/c7b2985b0a5f6b22e944c64a71943ea658e1548baebd8dd5b1c48e8fb355f41a/Semon-s-Seaman--front--2022.jpg" /&#62;

&#60;img width="3391" height="4522" width_o="3391" height_o="4522" data-src="https://freight.cargo.site/t/original/i/0a886385fede17de0c04a8c7028f4e25655703a46e8e0aa7b5df2d90392d03ff/Semon-s-Seaman--back-2022.jpg" data-mid="167442487" border="0"  src="https://freight.cargo.site/w/1000/i/0a886385fede17de0c04a8c7028f4e25655703a46e8e0aa7b5df2d90392d03ff/Semon-s-Seaman--back-2022.jpg" /&#62;
&#60;img width="5112" height="3834" width_o="5112" height_o="3834" data-src="https://freight.cargo.site/t/original/i/d1ac1814b2eeb28de7c946ff7a37ade1959bd1f0595ff92c06463b5126b61cc3/Semon-s-Seamon--installation-view-1-2022.jpg" data-mid="167442486" border="0"  src="https://freight.cargo.site/w/1000/i/d1ac1814b2eeb28de7c946ff7a37ade1959bd1f0595ff92c06463b5126b61cc3/Semon-s-Seamon--installation-view-1-2022.jpg" /&#62;

&#60;img width="5184" height="3888" width_o="5184" height_o="3888" data-src="https://freight.cargo.site/t/original/i/b371efc9a57b54526d1e5b0bbfa777f4e7a72a593b29f047bf00aec51de403e5/PHOTO-EXPO-PLASTIC-HEART-100.jpg" data-mid="167442484" border="0"  src="https://freight.cargo.site/w/1000/i/b371efc9a57b54526d1e5b0bbfa777f4e7a72a593b29f047bf00aec51de403e5/PHOTO-EXPO-PLASTIC-HEART-100.jpg" /&#62;

Semon’s Seaman
Salvaged vinyl billboard, sand, thread, plastic pellets, aluminum, 2021
Installation view at the University of Toronto’s Art Museum, as part of the exhibition Plastic Heart: Surface all the way through, organized by the Synthetic Collective and the University of Toronto Art Museum.&#38;nbsp; Pictured in background is artwork by Hannah Claus and Naum Gabo, as well as the waste generated through the process of installing the exhibition itself.
Photo Credits: Tony Hafkenshied and Allison Postma

&#60;img width="7103" height="4256" width_o="7103" height_o="4256" data-src="https://freight.cargo.site/t/original/i/73524e3f9fcf3555e9ea489a001f24e03133b844ed19017b18e92fc0cbd3835d/SemonsSeaman1_ToniH.jpg" data-mid="126343213" border="0"  src="https://freight.cargo.site/w/1000/i/73524e3f9fcf3555e9ea489a001f24e03133b844ed19017b18e92fc0cbd3835d/SemonsSeaman1_ToniH.jpg" /&#62;






&#60;img width="4202" height="2818" width_o="4202" height_o="2818" data-src="https://freight.cargo.site/t/original/i/2bd76ea1f1f491813b961cedf43b650bf467bfa287617cdc53513b54a1a4695a/SeamonsSeamon4_TH.jpg" data-mid="126341862" border="0"  src="https://freight.cargo.site/w/1000/i/2bd76ea1f1f491813b961cedf43b650bf467bfa287617cdc53513b54a1a4695a/SeamonsSeamon4_TH.jpg" /&#62;

&#60;img width="4842" height="7921" width_o="4842" height_o="7921" data-src="https://freight.cargo.site/t/original/i/be035135c690d2b92aad52e170bb9de76a075f67200384cc8542d1d269f317e0/SemonsSeaman5_TH.jpg" data-mid="126341866" border="0"  src="https://freight.cargo.site/w/1000/i/be035135c690d2b92aad52e170bb9de76a075f67200384cc8542d1d269f317e0/SemonsSeaman5_TH.jpg" /&#62;


&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/a758ca21004b7cfc1b7d9b7ca6a6dce2e4b03a4946b437ec5d67826d20451e27/SemonsSeaman9_AP.jpg" data-mid="126343078" border="0"  src="https://freight.cargo.site/w/1000/i/a758ca21004b7cfc1b7d9b7ca6a6dce2e4b03a4946b437ec5d67826d20451e27/SemonsSeaman9_AP.jpg" /&#62;


&#60;img width="3418" height="5127" width_o="3418" height_o="5127" data-src="https://freight.cargo.site/t/original/i/efd2116e1e82b43052c56911ea11bcdbe48b545c0ff8f95b51f6be04a512b57c/SemonsSeaman10_AP.jpg" data-mid="126341871" border="0"  src="https://freight.cargo.site/w/1000/i/efd2116e1e82b43052c56911ea11bcdbe48b545c0ff8f95b51f6be04a512b57c/SemonsSeaman10_AP.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/fc1a489fe7cd0b61f22426e78e6ec2039d2ca56f2d6197a07b65f5c248ae883c/IMG_1380.jpg" data-mid="126343277" border="0"  src="https://freight.cargo.site/w/1000/i/fc1a489fe7cd0b61f22426e78e6ec2039d2ca56f2d6197a07b65f5c248ae883c/IMG_1380.jpg" /&#62;

&#60;img width="3005" height="4506" width_o="3005" height_o="4506" data-src="https://freight.cargo.site/t/original/i/9b2652feef9c72b73ecbf6e647529c026d49c924dc78bce0a4634fc4cccc801c/_HAF0653-MED-RES.jpg" data-mid="126343302" border="0"  src="https://freight.cargo.site/w/1000/i/9b2652feef9c72b73ecbf6e647529c026d49c924dc78bce0a4634fc4cccc801c/_HAF0653-MED-RES.jpg" /&#62;

&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/45e384af0be029153211af97b66148a3df031ce816b4173a95a3d707db7a7fec/SemonsSeaman11_AP.jpg" data-mid="126341872" border="0"  src="https://freight.cargo.site/w/1000/i/45e384af0be029153211af97b66148a3df031ce816b4173a95a3d707db7a7fec/SemonsSeaman11_AP.jpg" /&#62;













	
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